Rilkean Heart

Hitherto

The lips the heart / The heart the soul / illuminated

all-flowers Jeff Liz
Terminology | Timeline

from osmium

砂上の唄消えてゆく... #log

DIR EN GREY – 蛍火 (Violin part) https://www.songsterr.com/a/wsa/dir-en-grey-hotarubi-tab-s6371t5

View on Flat: 蛍火 HOTARUBI


The Cure – Prayers For Rain https://www.songsterr.com/a/wsa/cure-prayers-for-rain-tab-s23147

Ensemble & Synth


Sufjan Stevens – Chicago https://www.songsterr.com/a/wsa/chicago-sufjan-stevens-tab-s3206260t6


“Sajou No Uta on A Strange Day”


Paramore – Decode https://www.songsterr.com/a/wsa/paramore-decode-tab-s23931t3


ain't afraid to dieのライブ版ギターソロ 6つ! https://youtu.be/_jUnttD9r0g


Jeff Buckley – Mojo Pin https://www.songsterr.com/a/wsa/jeff-buckley-mojo-pin-tab-s39140


Jeff Buckley – Two Ninja (That's All I Ask) (Live at King Cat Theater, Seattle, WA – May 1995) https://www.songsterr.com/a/wsa/jeff-buckley-thats-all-i-ask-tab-s1703130


Jeff Buckley – Dream Brother https://www.songsterr.com/a/wsa/jeff-buckley-dream-brother-tab-s3302

 
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from grOove

| ![](https://seaswallow.me/media/38ba203bac5cd47d248db81ef78d859f6a88103f9050e160a9092c094a6e0de9.png) | ![](https://seaswallow.me/media/355984db40af8fa4df8fec6f8eab11f2584131b46eda3ea1f36d93d7fb616010.png) | | ------------------------------------------------------------------------------------------------ | ------------------------------------------------------------------------------------------------ |

Ed O'Brien – Blue Morpho (22nd May 2026)


D.A.N. – Purple Sunshine (Official Audio)


Our Day Will Come by Dead Can Dance


2026.04.08

DIR EN GREY – 「MOBS」[12th ALBUM『MORTAL DOWNER』収録] 30sec Teaser (Clip) https://youtu.be/KEPe6u8trGM


2026.05.08

JUNUN – Translated lyrics

https://www.reddit.com/r/radiohead/comments/58h2ip/junun_translated_lyrics_youre_welcome/

 
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from osmium

YOKAN in GAUZE / Gauze in Koi No Yokan

“THE MARROW OF A BONE – It became their worldwide debut. Most of the songs were written while on tour bus, listening to Deftones and KoRn, and due to the environment where he could not do arrangements, he focused on the live feeling, which is why you have guitar riffs that are more metal, more ‘catchy’, more repeated and raw. However, like Kyo, he says that fans did not appreciate this album much.” https://www.tumblr.com/yridenergyridenergy/166180060969/dir-en-grey-burrn-interviews-%E8%96%AB-25

“MINERVA”

Kukoku No Kyouon / Ohms

https://www.songsterr.com/a/wsa/dir-en-grey-kukoku-no-kyouon-tab-s411179t0

https://www.songsterr.com/a/wsa/deftones-ohms-tab-s471092


LTD Stephen Carpenter model https://www.reddit.com/r/DEG/comments/npyy05/are_kaoru_and_die_using_8strings_in_degs_cover_of

#deg


3月27日(金) 18:00-18:55


15年ぶりの単独来日公演を開催する
Deftonesをピックアップ!

ツアーも一緒に周り、Deftonesのヴォーカルとも
同い年、一緒に酒を酌み交わしたこともある、
DIE EN GREYの薫さんに、Deftonesの魅力を
伺います!

そして4月にはニューアルバムもリリース予定の
DIR EN GREY!ツアーも開催されるということで
こちらについても伺っていきます!

お楽しみに!

本日のゲスト: 薫(DIR EN GREY) 

https://radiko.jp/#!/ts/INT/20260327180000


 
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from It's a perfect day for kiss and swell

Wiggly Paint (Preset Palettes)

juliet

a blood-steeped corridor

detective bass

golden sunset

sadness neo-5

capp-5

marumaru gum

twilight5

leon soul

ink


https://internet-janitor.itch.io/wigglypaint

🎨⚙️

html5 autoplay video in Mobile device

<!--
Source - https://stackoverflow.com/a/54341768
Posted by Tugrul Yildirim
Retrieved 2026-03-07, License - CC BY-SA 4.0
-->
<video autoplay="autoplay" loop="loop" muted defaultMuted playsinline  oncontextmenu="return false;"  preload="auto"  id="myVideo">
        <source src="assets/video/1.mp4" type="video/mp4">
        </video>
 
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from osmium

artwork: uhpc #log

https://www.songsterr.com/a/wsa/mastodon-march-of-the-fire-ants-tab-s12431t0


Muse – Supermassive Black Hole https://www.songsterr.com/a/wsa/muse-supermassive-black-hole-tab-s23053


Radiohead – Lucky https://www.songsterr.com/a/wsa/radiohead-lucky-tab-s191t2/r5348342


Deftones – My Own Summer (Shove It) https://www.songsterr.com/a/wsa/deftones-my-own-summer-shove-it-tab-s595


Local Natives – Sun Hands https://www.songsterr.com/a/wsa/local-natives-sun-hands-tab-s2142296


Alt-J / Taro https://www.songsterr.com/a/wsa/alt-j-taro-tab-s395746


Jeff Buckley – Last Goodbye (slide intro) https://www.songsterr.com/a/wsa/jeff-buckley-last-goodbye-tab-s39130


The Smiths – Bigmouth Strikes Again https://www.songsterr.com/a/wsa/smiths-bigmouth-strikes-again-tab-s18167


Deftones – Entombed https://www.songsterr.com/a/wsa/deftones-entombed-tab-s432453


Deftones – Fireal https://www.songsterr.com/a/wsa/deftones-fireal-tab-s29209t1


砂上の唄 / 薰solo(手忙腳亂PH版) https://youtu.be/Pvv67zS5lX4


Deftones – 7 Words https://www.songsterr.com/a/wsa/deftones-7-words-bass-tab-s29217


Deftones – Cherry Waves https://www.songsterr.com/a/wsa/deftones-cherry-waves-bass-tab-s29220


Mineral – &Serenading https://www.songsterr.com/a/wsa/mineral-serenading-tab-s719785t0 https://www.songsterr.com/a/wsa/mineral-serenading-tab-s719785t1


St. Vincent – Now, Now https://www.songsterr.com/a/wsa/st-vincent-now-now-tab-s440528t3

(Note: Tempo 0.9x; Pitch +1% / 0.17 semitones)


[guitar cover]RED...[EM] [DIR EN GREY] [TAB譜] [歌詩] https://www.youtube.com/watch?v=2F-XTiW2tGs


Duster – Echo, Bravo https://www.songsterr.com/a/wsa/duster-echo-bravo-tab-s874053


DIR EN GREY – “理由 (Wake)” ベース https://youtu.be/mPZDnS7p_zc


Cocteau Twins – Garlands (Bass cover) https://www.youtube.com/watch?v=D-_OjuVbDmI


Tame Impala – The Less I Know The Better (Bass) https://www.songsterr.com/a/wsa/tame-impala-the-less-i-know-the-better-bass-tab-s411169

 
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from 有希吃书笔记

by Jen Manion [US] published 2020

#nonfiction 推荐程度:★★★☆☆ 阅读难度:★☆☆☆☆

满有意思一段史料。讲的是18,19世纪的英国和美国的“female husband”,也就是以男性身份生活,和女性结婚了的指派女性。材料来源主要是当时的报纸,有的人为这些人物做的传,和另一些人基于这些人物的大闯作。就酷儿史来说很独特的一个时期,因为一方面跨性别作为一个概念还没有出现,相应的性别肯定医疗也还没有,另一方面因为通讯之类的限制,即使翻车了大头像贴遍全国也不太可能,所以你想换个地方换个性别身份是很doable一个事情。书中包括的案例当然都是翻车了所以才上了报纸,翻车的原因无非有二,一是意外人没了,尸检的时候发现你长的器官好像不对;二是老婆要跟你离婚所以把你出柜了。提到几个蛮有意思的点是这些朋友在被强行出柜之前周围人诚然是没clock他,然后新闻一爆出来所有认识的人都会开始发表“没错我一直觉得这人女里女气的”的言论;这些朋友如果光是男装生活的话经常没啥问题,甚至如果做了参军之类的事情还会被表扬,但是如果和女性结婚那就是大逆不道。所以就是当时的政治文化认为你男装事小,玷污纯洁的女性(?)事大。 “female husband”是当时的报纸给这些人发明的一个词。很搞笑的就是作者在提到这些朋友的对象的时候用的名称是“female wife”。作者使用的语汇是把sex和gender分开的,显然是没有subscribe to 巴特勒的理论的。所以信奉新一代的这个性别理论的朋友看着可能有点别扭。作者对于这些人代词都用they/them,解释原因是后人讨论这些人动机两种,一种是你是个跨,一种是你是个拉(想和女性合法结婚不得不男装)。这两者就还吵挺厉害,但显然没办法把人从坟里挖出来问所以就还是用中性代词了。书中包含的例子都是working class,农民,水手,工人,之类的;就酷儿史来说还比较少见的,一般比较visible的酷儿都是有钱人。另一方面因为都是做的体力活所以这些朋友也都很pass,好比花木兰就是如果你做不了体力活那第一天就被发现了。总的来讲直到被出柜那一天之前大家就日子很普通的过。可以想见历史上没翻车就平静的生活平静的去世的这样的人应该也是有的。 这些人是不是跨男确实没有定论,作者说写这个书也是因为几例人物被人appropiate成les史了而强行抹消了ta可能的性别酷儿的身份。为了还大家一个公正的面貌所以写的这本书。书里面除了酷儿史也有很多18,19世纪美国和英国社会文化的描写,就蛮有意思的。

 
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from grindingoinground

华莱士·史蒂文斯

你给予我奇异的勇气,古老的恒星: 独自闪耀吧,在你不曾舍身投入的那日出中!

I

独自闪耀,赤裸地闪耀,古铜般闪耀,既不映出我的面庞又不映出我的一切内在,火焰般闪耀,映出空白。

II

不要舍身于令其光芒渗透你的任何人性。 不要成为清晨的奇美拉, 半人,半星。 不要成为一种智力,像一位寡妇的鸟儿 或一匹老马。


Nuances of a Theme by Williams

Wallace Stevens

It’s a strange courage you give me, ancient star: Shine alone in the sunrise toward which you lend no part!

I Shine alone, shine nakedly, shine like bronze, that reflects neither my face nor any inner part of my being, shine like fire, that mirrors nothing.

II Lend no part to any humanity that suffuses you in its own light. Be not chimera of morning, Half-man, half-star. Be not an intelligence, Like a widow’s bird Or an old horse.

 
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from grindingoinground

华莱士·史蒂文斯


保罗·克莱《一扇门》,1939

陵墓外,我们领着巴德罗巴朵尔, 在我们的腹中,我们是她的战车。 这边一只眼。然后这边,一根一根 那只眼的睫毛和它的白色盖子。 这边是盖子下降的脸颊, 然后,一根一根手指,这,手, 那脸颊的天才。这边一对唇, 一捆躯体和脚。 . . . . . . . . . . .
 我们领着巴德罗巴朵尔到陵墓外。


The Worms at Heaven's Gate

Wallace Stevens

Out of the tomb, we bring Badroulbadour, 
 Within our bellies, we her chariot.
 Here is an eye. And here are, one by one,
 The lashes of that eye and its white lid.
 Here is the cheek on which that lid declined,
 And, finger after finger, here, the hand,
 The genius of that cheek. Here are the lips,
 The bundle of the body and the feet.
 . . . . . . . . . . .
 Out of the tomb we bring Badroulbadour.

 
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from grOove

Vo: Saki Rose https://youtu.be/-Sh99TQuroY Gu: kinoko (? https://youtu.be/HAdMq4ay2hk Ba: Julia https://youtu.be/bXDgjxzjhzM Dr: Diana https://youtu.be/YqLLticW-E0 Hurdy-gurdy: Michalina https://youtu.be/kpnoww77KQ4

DIR EN GREY / Kaishun (懐春) -Full Band Cover- 歌ってみた・弾いてみた

Vo: Saki Rose

1999 Secret Object(聖飢魔Ⅱ) 弾いてみた 10歳 ギター練習中

Gu: kinoko (?

Deftones – Change (In the House of Flies) (Bass Cover)

Ba: Julia

transcription https://www.patreon.com/posts/deftones-change-151035020

Toe – Goodbye (Drum Cover)

Dr: Diana


Massive Attack – TEARDROP (hurdy-gurdy cover)

Michalina Malisz

 
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from grindingoinground

华莱士·史蒂文斯


保罗·克莱《分三份的墓》,1923

您会说什么,演绎者们,关于人 这些身处天堂的墓中却行走夜间, 在我们的旧喜剧中变暗的鬼魂? 他们是否以为自己正漫游在阵阵寒冷中, 高悬着灯笼照亮路途, 属于死亡的自由人们,几乎,依然几乎 就要找到他们所寻找的任何?还是说 那场葬礼,每日支起门扉 和通向虚无的灵性之旅, 每夜预知那深渊的一夜, 当主持人不该再走神,也不该有光 从不摇曳的灯笼中悄悄流向黑暗? 在黑暗喜剧演员之间构造色彩, 从最远的距离对他们吼呵噜 而回应来自他们冰冻的艾丽榭。


Of Heaven Considered as a Tomb

Wallace Stevens

What word have you, interpreters, of men Who in the tomb of heaven walk by night, The darkened ghosts of our old comedy? Do they believe they range the gusty cold, With lanterns borne aloft to light the way, Freemen of death, about and still about To find whatever it is they seek? Or does That burial, pillared up each day as porte And spiritous passage into nothingness, Foretell each night the one abysmal night, When the host shall no more wander, nor the light Of the steadfast lanterns creep across the dark? Make hue among the dark comedians, Halloo them in the topmost distances For answer from their icy Elysée.

 
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from grindingoinground

华莱士·史蒂文斯

尤安·乌格洛《两只梨》,1990

I

一部教科小品。 梨不是古提琴、 裸体或瓶子。 它们不与其它事物相像。

II

它们是黄色形体 由曲线构成 近底部鼓起。 它们沾了红色。

III

它们不是平面 有着弯曲轮廓。 它们浑圆 近顶端更纤细。

IV

在它们的捏造方式中 有点点蓝。 一片硬干的叶子垂 在梗上。

V

黄色闪烁着。 闪烁着各色的黄, 枸橼、柑橘和绿色 在表皮上繁华。

VI

梨的阴影 是绿布上的团块。 梨并不被观看 随着观看者的意志。


Study of Two Pears

Wallace Stevens

I Opusculum paedagogum. The pears are not viols, nudes or bottles. They resemble nothing else.

II They are yellow forms Composed of curves Bulging toward the base. They are touched red.

III They are not flat surfaces Having curved outlines. They are round tapering toward the top.

IV In the way they are modelled There are bits of blue. A hard dry leaf hangs From the stem.

V The yellow glistens. It glistens with various yellows, Citrons, oranges andn greens Flowering over the skin.

VI The shadows of the pears Are blobs on the green cloth. The pears are not seen As the observer wills.

 
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from grindingoinground

华莱士·史蒂文斯

房屋被 白夜袍占据。 无一是绿色的, 或紫配绿环的, 或绿配黄环的, 或黄配蓝环的。 无一奇特, 配蕾丝袜子 和缀珠束带。 人们不会 梦狒狒和长春花色。 只是,这里那里,一名老船员, 穿靴子喝醉并睡着, 在红色气象中 捉着老虎。


Disillusionment of Ten O’Clock

Wallace Stevens

The houses are haunted By white night-gowns. None are green, Or purple with green rings, Or green with yellow rings, Or yellow with blue rings. None of them are strange, With socks of lace And beaded ceintures. People are not going To dream of baboons and periwinkles. Only, here and there, an old sailor, Drunk and asleep in his boots, Catches tigers In red weather.

 
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from sic itur ad astra

Speeches Discourses Whatever you'd like to call Are much less liberating than they sound (aren't they all)

Replace with synonyms to avoid repetition Comprehensive paragraphs and meaningful diction Always searching for the right expression Checking the format of each citation Preoccupied with a wrong pronunciation

And yes I have attended that kind of training By and large very draining Only thing I recall was the struggle remaining

...As if the lack of rhyme is an unforgivable crime

Even my questions are voiced out I am still in doubt Or is it insecurity? Possibly — But more precisely — Draft and rewrite until your inner monologues start with “we” Repeating ourselves for eternity

Took a long long way to finally get somewhere — or Anywhere (And I have been intrigued, confused, humiliated, and terrified to this day) In hope that I would never expose my disguise The fake persona and dramatic tone I wish to hide That anyone familiar with the public examination would immediately recognize Ever since have I been mortified

Am I too self-aware or insensitive? Should I pretend to exist in a different continuum? Can I finally get the shame out of my system?

Go back in time and back to the future As I approach my own midlife crisis Or should I say — Wait until you reach the age of Prufrock Those are poetry, words of honesty, instead of bollocks

Must I swallow it all and praise the aftertaste boiling in my throat

 
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