console
https://en.wikipedia.org/wiki/Boardwalk_Hall_Auditorium_Organ
| Left Stage Pedal Left, Unenclosed Choir, Swell, String I, Swell-Choir |
Stage | Right Stage Pedal Right, Percussion, Great, Solo, Great-Solo (Flues), Great-Solo (Reeds) |
||
| Left Forward Choir |
Right Forward Brass Chorus, String II | |||
| Left Center Gallery III (Diapasons), Gallery IV (Orchestral) |
Left Upper Fanfare, String III |
The Upper chambers are located above the Center chambers | Right Upper Echo |
Right Center Gallery I (Reeds), Gallery II (Flutes) |
| VII | Bombard | 5 octaves, 61 keys, CC to c4 |
| VI | Echo | 5 octaves, 61 keys, CC to c4 |
| V | Fanfare | 5 octaves, 61 keys, CC to c4 |
| IV | Solo | 5 octaves, 61 keys, CC to c4 |
| III | Swell | 6 octaves, 73 keys, GGG to g4 |
| II | Great | 7 octaves, 85 keys, CCC to c5 |
| I | Choir | 7 octaves, 85 keys, CCC to c5 |
pull out all the stops
| Pipe division | Voices | Ranks | Pipes |
|---|---|---|---|
| Pedal Right | 11 | 11 | 903 |
| Pedal Left | 10 | 16 | 955 |
| Choir | 29 | 37 | 2,792 |
| Unenclosed Choir | 6 | 9 | 657 |
| Great | 38 | 63 | 4,647 |
| Great-Solo (Flues) | 13 | 13 | 1,152 |
| Great-Solo (Reeds) | 12 | 12 | 972 |
| Swell | 36 | 55 | 4,456 |
| Swell-Choir | 17 | 17 | 1,542 |
| Solo | 22 | 33 | 2,085 |
| Fanfare | 21 | 36 | 2,364 |
| Echo | 22 | 27 | 1,898 |
| Gallery I | 4 | 10 | 754 |
| Gallery II | 7 | 9 | 621 |
| Gallery III | 6 | 9 | 681 |
| Gallery IV | 8 | 8 | 596 |
| Brass Chorus | 8 | 10 | 730 |
| String I | 11 | 20 | 1,436 |
| String II | 24 | 37 | 2,658 |
| String III | 9 | 17 | 1,217 |
| Total | 314 | 449 | 33,116 |
John Stone calls it “tantamount to a sacred text, an artwork so quintessentially perfect in form, so unutterably beautiful from the dual perspectives of the mind and heart, intellect and emotions.”
http://www.classicalnotes.net/classics4/bachart%20revised.html
推薦 & 正在讀《管風琴手記》
synth / computer / airplane cockpit
| Degree | I | II | III | IV | V | VI | VII | |
|---|---|---|---|---|---|---|---|---|
| Function | in major | T | Sp | Dp / (Tg) | S<l | D | Tp / (Sg) | |
| in minor | t | tP / (dG) | s | d | sP / tG | dP |
| Name of scale degree | Roman numeral | Function in German | English translation | German abbreviation |
|---|---|---|---|---|
| Tonic | I | Tonika | Tonic | T |
| Supertonic | ii | Subdominantparallele | Relative of the subdominant | Sp |
| Mediant | iii | Dominantparallele or Tonika-Gegenparallele |
Relative of the dominant or Counterrelative of the tonic |
Dp/Tg |
| Subdominant | IV | Subdominante | Subdominant (also Pre-dominant) | S |
| Dominant | V | Dominante | Dominant | D |
| Submediant | vi | Tonikaparallele | Relative of the tonic | Tp |
| Leading (note) | vii° | verkürzter Dominantseptakkord | [Incomplete dominant seventh chord] | diagonally slashed D7 (Đ7) |